As a composer Max Murray has collaborated closely with musicians and ensembles including Christopher Otto [New York], Saviet/Houston Duo+Peyee Chen [Berlin], RAGE THORMBONES [Berlin/L.A.], Noa Frenkel [Den Haag], Léa Trommenschlager [Paris], ELISION Ensemble [Melbourne], Kevin McFarland [Colorado], Annie Gårlid+Mathilde Conley+Nathan Plante [Berlin], and Madison Greenstone [New York], among others, with works appearing in contexts such as the Gare du Nord «Dialog» [Basel], the Philharmonie Luxembourg’s rainy days festival [Luxembourg], and Klangwerkstatt [Berlin]. In 2022 his evening-length, staged multimedia piece, Georgic, for performers Samuel Stoll [Berlin], Noëlle-Anne Darbellay [Bern], and Richard Craig [Edinburgh], developed with the support of Mellon Fellowship from Harvard University, was premiered as part of a 2022 residency at the Harvard ArtLab, and the 21/22 NO HAY BANDA season in Montreal, Canada. In September 2023 he conducted the premiere of his work Schaufeln | Brayen — Rain for soprano, nine brass instruments, harp and percussion in collaboration with Apparat, Ensemble Adapter, and Olivia Stahn at Berlin’s St. Elisabeth-Kirche.
G e o r g i c
A g n u s
S e c u n d u m S u r d u m
D o n n e r w o r t
Állatvanbent — Under the Head / Bb clarinet, violin, viola, cello, electronics | 2016
Gaddis' Grin / two performers [violin], fixed media | 2014
Graben des Meridians / English horn, bass clarinet, timpani, cello, double-bass | 2013
Zweiter Versuch über Homo Sacer / alto flute, bass clarinet, one percussionist | 2011
Mit Wechselndem Schlüssel / Bb clarinet, two acoustic guitars, two percussionists | 2010
Erster Versuch über Homo Sacer / Bb clarinet, violin, viola, cello | 2008
Praha / flute, violin, cello | 2007